BOTTOM LINE: An incredible real-life story of abuse and terror meets an equally incredible performance, resulting in a theatrical experience that's more—way more—than the sum of its parts.
You may have heard that Lucas Hnath's new play, Dana H., is 75 minutes of lip-syncing. This is inaccurate...because to describe what O'Connell is doing merely as lip-syncing is to willfully misrepresent the wonder of her performance...
BOTTOM LINE: Frankenstein, told from the creature's point of view, asks "Who is the real monster?"
BOTTOM LINE: In the excellent Cambodian Rock Band, the modern-day trial of one man who was “only following orders” forces an entire nation to reckon with its past.
BOTTOM LINE: Mark Levy is your guide to that vanished part of American culture: the Blockbuster video store. You’ll be surprised how much you miss it.
BOTTOM LINE: Evocative of the films that inspired it, Finding Fellini chronicles one woman’s search for her cinematic idol.
BOTTOM LINE: One of the best to ever do it, Charles Busch can't stop, won't stop putting on dresses and lovingly sending up the cinematic insanities of yesteryear.
BOTTOM LINE: Kate Hamill’s feminist adaptation of the Gothic classic gives a voice to put-upon wives.
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